{"id":16882,"date":"2025-06-17T13:45:31","date_gmt":"2025-06-17T11:45:31","guid":{"rendered":"https:\/\/www.albertferrerflamarich.com\/?page_id=16882"},"modified":"2025-12-27T22:43:29","modified_gmt":"2025-12-27T20:43:29","slug":"publicaciones","status":"publish","type":"page","link":"https:\/\/www.albertferrerflamarich.com\/es\/publicaciones\/","title":{"rendered":"Publicaciones"},"content":{"rendered":"

[vc_row css_animation=\u00bb\u00bb row_type=\u00bbrow\u00bb use_row_as_full_screen_section=\u00bbno\u00bb type=\u00bbgrid\u00bb angled_section=\u00bbno\u00bb text_align=\u00bbleft\u00bb background_image_as_pattern=\u00bbwithout_pattern\u00bb z_index=\u00bb\u00bb padding_top=\u00bb15″ padding_bottom=\u00bb50″][vc_column][vc_column_text css=\u00bb\u00bb]Inicio<\/a> \/\/ Publicaciones[\/vc_column_text][\/vc_column][\/vc_row][vc_row css_animation=\u00bb\u00bb row_type=\u00bbrow\u00bb use_row_as_full_screen_section=\u00bbno\u00bb type=\u00bbgrid\u00bb angled_section=\u00bbno\u00bb text_align=\u00bbleft\u00bb background_image_as_pattern=\u00bbwithout_pattern\u00bb z_index=\u00bb\u00bb padding_top=\u00bb0″ padding_bottom=\u00bb75″][vc_column width=\u00bb1\/3″][vc_single_image image=\u00bb16397″ img_size=\u00bbfull\u00bb css=\u00bb\u00bb qode_css_animation=\u00bb\u00bb][vc_empty_space height=\u00bb50″][\/vc_column][vc_column width=\u00bb2\/3″][vc_column_text css=\u00bb\u00bb]<\/p>\n

Publicaciones<\/h2>\n

[\/vc_column_text][vc_separator type=\u00bbsmall\u00bb position=\u00bbleft\u00bb color=\u00bb#CB9173″ thickness=\u00bb2″ width=\u00bb100″ up=\u00bb5″ down=\u00bb10″][vc_column_text css=\u00bb.vc_custom_1751007585029{padding-right: 20% !important;}\u00bb]<\/p>\n

Cada art\u00edculo es un puente entre el o\u00eddo y la raz\u00f3n. Escribir sobre m\u00fasica es hacerla resonar m\u00e1s all\u00e1 del escenario.<\/h3>\n

[\/vc_column_text][vc_empty_space height=\u00bb50″][vc_column_text css=\u00bb\u00bb]Cada art\u00edculo, cada cr\u00edtica, cada ensayo se convierten en un puente entre el o\u00eddo y la raz\u00f3n, entre la emoci\u00f3n y su comprensi\u00f3n. Escribir sobre m\u00fasica es hacerla resonar m\u00e1s all\u00e1 del escenario, m\u00e1s all\u00e1 de s\u00ed misma.<\/p>\n

 <\/p>\n

La escritura ha sido siempre una herramienta fundamental para la construcci\u00f3n de pensamiento musical. Escribir sobre m\u00fasica no es s\u00f3lo describir lo que suena, sino entender qu\u00e9 nos dice, por qu\u00e9 nos conmueve, c\u00f3mo se ha construido y qu\u00e9 relaci\u00f3n establece con la cultura y la sociedad de su tiempo. Mis publicaciones responden a este prop\u00f3sito: acercar la m\u00fasica a todo el mundo con un lenguaje exigente pero cercano, con una mirada cr\u00edtica y al mismo tiempo apasionada.<\/p>\n

 <\/p>\n

Durante mi trayectoria he publicado art\u00edculos en medios muy diversos, desde revistas especializadas hasta prensa cultural y publicaciones de \u00e1mbito local. Esta trayectoria prolongada me ha permitido seguir la evoluci\u00f3n del discurso musical, adaptarme a los cambios en los formatos y soportes, y mantener siempre la voluntad de compartir la m\u00fasica con pasi\u00f3n y con rigor.<\/p>\n

 <\/p>\n

Actualmente, colaboro de forma regular en diversos medios donde aporto textos que van desde la cr\u00edtica de espect\u00e1culos hasta reflexiones m\u00e1s amplias sobre repertorio, compositores o contextos hist\u00f3ricos y sociales, pasando por numerosas cr\u00edticas de las novedades editoriales. Son espacios en los que la palabra sirve para poner la m\u00fasica en relaci\u00f3n con el pensamiento, la actualidad y la sensibilidad contempor\u00e1nea. Escribir una cr\u00edtica o un art\u00edculo no es juzgar por s\u00ed, sino abrir perspectivas, ofrecer contexto e invitar a escuchar con m\u00e1s atenci\u00f3n.[\/vc_column_text][\/vc_column][\/vc_row][vc_row css_animation=\u00bb\u00bb row_type=\u00bbrow\u00bb use_row_as_full_screen_section=\u00bbno\u00bb type=\u00bbfull_width\u00bb angled_section=\u00bbno\u00bb text_align=\u00bbleft\u00bb background_image_as_pattern=\u00bbwithout_pattern\u00bb][vc_column][vc_separator type=\u00bbnormal\u00bb thickness=\u00bb1″ color=\u00bb#000000″][\/vc_column][\/vc_row][vc_row css_animation=\u00bb\u00bb row_type=\u00bbrow\u00bb use_row_as_full_screen_section=\u00bbno\u00bb type=\u00bbgrid\u00bb angled_section=\u00bbno\u00bb text_align=\u00bbleft\u00bb background_image_as_pattern=\u00bbwithout_pattern\u00bb z_index=\u00bb\u00bb][vc_column][vc_empty_space height=\u00bb50″][vc_row_inner row_type=\u00bbrow\u00bb type=\u00bbfull_width\u00bb text_align=\u00bbleft\u00bb css_animation=\u00bb\u00bb][vc_column_inner width=\u00bb2\/3″][vc_single_image image=\u00bb17207″ img_size=\u00bbfull\u00bb css=\u00bb\u00bb qode_css_animation=\u00bb\u00bb][vc_empty_space height=\u00bb50″][\/vc_column_inner][vc_column_inner width=\u00bb1\/3″][vc_column_text css=\u00bb\u00bb]<\/p>\n

Medios donde escribo actualmente<\/h2>\n

[\/vc_column_text][vc_separator type=\u00bbsmall\u00bb position=\u00bbleft\u00bb color=\u00bb#CB9173″ thickness=\u00bb2″ width=\u00bb100″ up=\u00bb5″ down=\u00bb10″][vc_empty_space height=\u00bb50″][vc_column_text css=\u00bb\u00bb]Serra d’Or<\/strong><\/a><\/p>\n

Des del 2009[\/vc_column_text][vc_separator type=\u00bbnormal\u00bb color=\u00bb#CB9173″ thickness=\u00bb1″ up=\u00bb15″ down=\u00bb15″][vc_column_text css=\u00bb\u00bb]Diari de Sabadell<\/strong><\/a><\/p>\n

Des del 2010[\/vc_column_text][vc_separator type=\u00bbnormal\u00bb color=\u00bb#CB9173″ thickness=\u00bb1″ up=\u00bb15″ down=\u00bb15″][vc_column_text css=\u00bb\u00bb]Foc Nou<\/strong><\/a><\/p>\n

Des del 2016[\/vc_column_text][vc_separator type=\u00bbnormal\u00bb color=\u00bb#CB9173″ thickness=\u00bb1″ up=\u00bb15″ down=\u00bb15″][vc_column_text css=\u00bb\u00bb]El viejo topo<\/a><\/strong><\/p>\n

Des del 2018[\/vc_column_text][vc_separator type=\u00bbnormal\u00bb color=\u00bb#CB9173″ thickness=\u00bb1″ up=\u00bb15″ down=\u00bb15″][vc_column_text css=\u00bb\u00bb]Revista Musical Catalana<\/strong><\/a><\/p>\n

Des del 2019[\/vc_column_text][vc_separator type=\u00bbnormal\u00bb color=\u00bb#CB9173″ thickness=\u00bb1″ up=\u00bb15″ down=\u00bb15″][vc_column_text css=\u00bb\u00bb]Revista Som<\/strong><\/a><\/p>\n

Des del 2019[\/vc_column_text][vc_separator type=\u00bbnormal\u00bb color=\u00bb#CB9173″ thickness=\u00bb1″ up=\u00bb15″ down=\u00bb15″][vc_column_text css=\u00bb\u00bb]Cuaderno de investigaci\u00f3n musical
\nde la Universidad de Castilla-La Mancha<\/strong><\/p>\n

Des del 2022[\/vc_column_text][vc_separator type=\u00bbnormal\u00bb color=\u00bb#CB9173″ thickness=\u00bb1″ up=\u00bb15″ down=\u00bb15″][vc_column_text css=\u00bb\u00bb]Quimera<\/strong><\/a><\/p>\n

Des del 2023[\/vc_column_text][vc_separator type=\u00bbnormal\u00bb color=\u00bb#CB9173″ thickness=\u00bb1″ up=\u00bb15″ down=\u00bb15″][vc_column_text css=\u00bb\u00bb]Bachtrack.com<\/strong><\/a><\/p>\n

Des del 2024[\/vc_column_text][vc_separator type=\u00bbnormal\u00bb color=\u00bb#CB9173″ thickness=\u00bb1″ up=\u00bb15″ down=\u00bb15″][vc_column_text css=\u00bb\u00bb]Ritmo<\/strong><\/a><\/p>\n

Des del 2024[\/vc_column_text][vc_separator type=\u00bbnormal\u00bb color=\u00bb#CB9173″ thickness=\u00bb1″ up=\u00bb15″ down=\u00bb35″][vc_column_text css=\u00bb\u00bb]MEDIOS DONDE HE ESCRITO EN EL PASADO<\/strong><\/p>\n

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Zona Sec Comunicaci\u00f3<\/strong> (2000-2011)
\nSant Andreu de cap a peus<\/strong> (2000-2008)
\nSarsuela 2000 Zarzuela<\/strong> (2002-2006)
\nSolera<\/strong> (2003-2007)
\nCD Compact<\/strong> (2003-2010)
\nwww.teatral.net<\/strong> (2004-2005)
\nEl nostre barri Poble Sec<\/strong> (2004)
\nL\u00ednia Vall\u00e8s<\/strong> (2004)
\nL\u00ednia Sants<\/strong> (2004)
\nEl M\u00f2nic de la Torre<\/strong> (2005)
\nDiari de Roda de Bar\u00e0<\/strong> (2005)
\nSetmanari El Triangle<\/strong> (2005-2006)
\nDiari del Baix Pened\u00e8s<\/strong> (2005)
\nwww.eldebat.com<\/strong> (2006)
\nRevista Musical Catalana<\/strong> (2006-2007)
\nwww.zarzueleros.com<\/strong> (2007)
\nAudio Cl\u00e1sica<\/strong> (2008-2013)
\nwww.opusmusica.com<\/strong> (2009-2010)
\nwww.gustav-mahler.es<\/strong> (2009-2010)
\nQuadern de les idees, les arts i les lletres<\/strong> (2010-2013)
\nwww.codalario.com<\/strong> (2013-2025)
\nwww.culturalresuena.es<\/strong> (2015)
\nEl Ciervo<\/strong> (2015-2021)
\nwww.eldiasabadell.cat<\/strong> (2019)
\nwww.lallan\u00e7a.cat<\/strong> (2019-2020)
\nwww.barcelonaclassica.com<\/strong> (2020)
\nwww.lespectacledelart.com<\/strong> (2020)
\nButllet\u00ed de la Confraria Precios\u00edssima Sang de Sabadell<\/strong> (2020-2023)[\/vc_column_text][vc_separator type=\u00bbnormal\u00bb color=\u00bb#CB9173″ thickness=\u00bb1″ up=\u00bb15″ down=\u00bb15″][vc_empty_space height=\u00bb50″][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row css_animation=\u00bb\u00bb row_type=\u00bbrow\u00bb use_row_as_full_screen_section=\u00bbno\u00bb type=\u00bbfull_width\u00bb angled_section=\u00bbno\u00bb text_align=\u00bbleft\u00bb background_image_as_pattern=\u00bbwithout_pattern\u00bb][vc_column][vc_separator type=\u00bbnormal\u00bb thickness=\u00bb1″ color=\u00bb#000000″][\/vc_column][\/vc_row][vc_row css_animation=\u00bb\u00bb row_type=\u00bbrow\u00bb use_row_as_full_screen_section=\u00bbno\u00bb type=\u00bbgrid\u00bb angled_section=\u00bbno\u00bb text_align=\u00bbleft\u00bb background_image_as_pattern=\u00bbwithout_pattern\u00bb z_index=\u00bb\u00bb padding_top=\u00bb50″ padding_bottom=\u00bb25″][vc_column][vc_column_text css=\u00bb\u00bb]<\/p>\n

Hist\u00f3rico de publicaciones<\/h2>\n

[\/vc_column_text][vc_separator type=\u00bbsmall\u00bb position=\u00bbcenter\u00bb color=\u00bb#CB9173″ thickness=\u00bb2″ width=\u00bb100″ up=\u00bb5″ down=\u00bb10″][\/vc_column][\/vc_row][vc_row css_animation=\u00bb\u00bb row_type=\u00bbrow\u00bb use_row_as_full_screen_section=\u00bbno\u00bb type=\u00bbgrid\u00bb angled_section=\u00bbno\u00bb text_align=\u00bbleft\u00bb background_image_as_pattern=\u00bbwithout_pattern\u00bb z_index=\u00bb\u00bb padding_top=\u00bb50″ padding_bottom=\u00bb50″][vc_column][vc_column_text css=\u00bb\u00bb]<\/p>\n

2025<\/h3>\n

[\/vc_column_text][vc_row_inner row_type=\u00bbrow\u00bb type=\u00bbfull_width\u00bb text_align=\u00bbleft\u00bb css_animation=\u00bb\u00bb][vc_column_inner width=\u00bb1\/3″][vc_separator type=\u00bbnormal\u00bb color=\u00bb#CB9173″ thickness=\u00bb1″ up=\u00bb15″ down=\u00bb15″][vc_column_text css=\u00bb\u00bb]Una Medusa esparracada i un digne Sibelius<\/a><\/strong><\/p>\n

Revista Musical Catalana<\/p>\n

04\/03\/2025[\/vc_column_text][vc_separator type=\u00bbnormal\u00bb color=\u00bb#CB9173″ thickness=\u00bb1″ up=\u00bb15″ down=\u00bb15″][vc_column_text css=\u00bb\u00bb]Ecos de la melancol\u00eda<\/b><\/a><\/p>\n

Ritmo<\/p>\n

Marzo de 2025[\/vc_column_text][vc_separator type=\u00bbnormal\u00bb color=\u00bb#CB9173″ thickness=\u00bb1″ up=\u00bb15″ down=\u00bb15″][vc_column_text css=\u00bb\u00bb]El pa\u00eds m\u00e1s f\u00e9rtil<\/strong><\/a><\/b><\/p>\n

Quimera<\/p>\n

Marzo de 2025[\/vc_column_text][vc_separator type=\u00bbnormal\u00bb color=\u00bb#CB9173″ thickness=\u00bb1″ up=\u00bb15″ down=\u00bb15″][vc_column_text css=\u00bb\u00bb]Alma Mahler, la musa finisecular<\/b><\/a><\/p>\n

El Viejo Topo<\/p>\n

Marzo de 2025[\/vc_column_text][vc_separator type=\u00bbnormal\u00bb color=\u00bb#CB9173″ thickness=\u00bb1″ up=\u00bb15″ down=\u00bb15″][vc_column_text css=\u00bb\u00bb]Cr\u00edtica libros \/ 100 cosas que debes saber de la m\u00fasica cl\u00e1sica<\/strong><\/a><\/b><\/p>\n

Ritmo<\/p>\n

21\/03\/2025[\/vc_column_text][vc_separator type=\u00bbnormal\u00bb color=\u00bb#CB9173″ thickness=\u00bb1″ up=\u00bb15″ down=\u00bb15″][vc_column_text css=\u00bb\u00bb]Entrevista a Sedes Garcia-Gascon, propiet\u00e0ria i directora art\u00edstica de Columna M\u00fasica<\/strong><\/a><\/p>\n

Diari de Sabadell<\/p>\n

18\/03\/2025[\/vc_column_text][vc_separator type=\u00bbnormal\u00bb color=\u00bb#CB9173″ thickness=\u00bb1″ up=\u00bb15″ down=\u00bb15″][vc_column_text css=\u00bb\u00bb]La OBC recrea la Sinfon\u00eda alpina<\/em> de Strauss en un viaje alucinante<\/strong><\/a><\/p>\n

Bachtrack<\/p>\n

13\/03\/2025[\/vc_column_text][vc_separator type=\u00bbnormal\u00bb color=\u00bb#CB9173″ thickness=\u00bb1″ up=\u00bb15″ down=\u00bb15″][vc_column_text css=\u00bb\u00bb]Victoria de Los \u00c1ngeles. Todo parec\u00eda tansencillo<\/em><\/strong><\/a><\/p>\n

Ritmo<\/p>\n

07\/03\/2025[\/vc_column_text][vc_separator type=\u00bbnormal\u00bb color=\u00bb#CB9173″ thickness=\u00bb1″ up=\u00bb15″ down=\u00bb15″][vc_column_text css=\u00bb\u00bb]Una c\u00e1tedra en forma de libro<\/strong><\/a><\/p>\n

Ritmo<\/p>\n

04\/03\/2025[\/vc_column_text][vc_separator type=\u00bbnormal\u00bb color=\u00bb#CB9173″ thickness=\u00bb1″ up=\u00bb15″ down=\u00bb15″][vc_column_text css=\u00bb\u00bb]La calidez y refinamiento de Farr\u00e9s dominan un concierto de la OBC desigual aun interesante<\/a><\/strong><\/p>\n

Bachtrack<\/p>\n

04\/03\/2025[\/vc_column_text][vc_separator type=\u00bbnormal\u00bb color=\u00bb#CB9173″ thickness=\u00bb1″ up=\u00bb15″ down=\u00bb15″][vc_column_text css=\u00bb\u00bb]En la dramaturgia de Basti\u00e1n y Bastiana<\/em><\/a><\/strong><\/p>\n

Ritmo<\/p>\n

Febrero de 2025[\/vc_column_text][vc_separator type=\u00bbnormal\u00bb color=\u00bb#CB9173″ thickness=\u00bb1″ up=\u00bb15″ down=\u00bb15″][vc_column_text css=\u00bb\u00bb]Entrevista a Miquel Massana: \u201cQue la proposta m\u2019arrib\u00e9s dels mateixos m\u00fasics la fa encara m\u00e9s especial\u201d<\/a><\/strong><\/p>\n

Revista Som<\/p>\n

Febrero de 2025[\/vc_column_text][\/vc_column_inner][vc_column_inner width=\u00bb1\/3″][vc_separator type=\u00bbnormal\u00bb color=\u00bb#CB9173″ thickness=\u00bb1″ up=\u00bb15″ down=\u00bb15″][vc_column_text css=\u00bb\u00bb]La pol\u00edtica del cuarteto<\/a><\/strong><\/p>\n

Quimera<\/p>\n

Febrero de 2025[\/vc_column_text][vc_separator type=\u00bbnormal\u00bb color=\u00bb#CB9173″ thickness=\u00bb1″ up=\u00bb15″ down=\u00bb15″][vc_column_text css=\u00bb\u00bb]\u00abNabucco\u00bb i Sabadell consoliden el seu idil\u00b7li<\/strong><\/a><\/p>\n

Diari de Sabadell<\/p>\n

22\/02\/2025[\/vc_column_text][vc_separator type=\u00bbnormal\u00bb color=\u00bb#CB9173″ thickness=\u00bb1″ up=\u00bb15″ down=\u00bb15″][vc_column_text css=\u00bb\u00bb]Sergi Roca y Carles Ortiz dirigen un<\/a> satisfactorio Nabucco<\/em> en Sabadell<\/strong><\/p>\n

Bachtrack<\/p>\n

21\/02\/2025[\/vc_column_text][vc_separator type=\u00bbnormal\u00bb color=\u00bb#CB9173″ thickness=\u00bb1″ up=\u00bb15″ down=\u00bb15″][vc_column_text css=\u00bb\u00bb]Arnau Tordera al cub: guitarrista, cantant i compositor<\/b><\/a><\/p>\n

Revista Musical Catalana<\/p>\n

19\/02\/2025[\/vc_column_text][vc_separator type=\u00bbnormal\u00bb color=\u00bb#CB9173″ thickness=\u00bb1″ up=\u00bb15″ down=\u00bb15″][vc_column_text css=\u00bb\u00bb]El Cosmos Quartet: un referent de 16 cordes<\/strong><\/a><\/b><\/p>\n

Diari de Sabadell<\/p>\n

18\/02\/2025[\/vc_column_text][vc_separator type=\u00bbnormal\u00bb color=\u00bb#CB9173″ thickness=\u00bb1″ up=\u00bb15″ down=\u00bb15″][vc_column_text css=\u00bb\u00bb]El Cosmos Quartet en Sabadell: un referente de 16 cuerdas<\/strong><\/a><\/b><\/p>\n

Bachtrack<\/p>\n

18\/02\/2025[\/vc_column_text][vc_separator type=\u00bbnormal\u00bb color=\u00bb#CB9173″ thickness=\u00bb1″ up=\u00bb15″ down=\u00bb15″][vc_column_text css=\u00bb\u00bb]Entrevista a Carles Ortiz, director d’escena de \u00abNabucco\u00bb, de la Fundaci\u00f3 \u00d2pera a Catalunya<\/strong><\/a><\/b><\/p>\n

Diari de Sabadell<\/p>\n

15\/02\/2025[\/vc_column_text][vc_separator type=\u00bbnormal\u00bb color=\u00bb#CB9173″ thickness=\u00bb1″ up=\u00bb15″ down=\u00bb15″][vc_column_text css=\u00bb\u00bb]L’OSV en clau femenina<\/strong><\/a><\/b><\/p>\n

Revista Musical Catalana<\/p>\n

11\/02\/2025[\/vc_column_text][vc_separator type=\u00bbnormal\u00bb color=\u00bb#CB9173″ thickness=\u00bb1″ up=\u00bb15″ down=\u00bb15″][vc_column_text css=\u00bb\u00bb]Taichi Tsukumo sedueix l’Acad\u00e8mia de Belles Arts<\/strong><\/a><\/b><\/p>\n

Diari de Sabadell<\/p>\n

11\/02\/2025[\/vc_column_text][vc_separator type=\u00bbnormal\u00bb color=\u00bb#CB9173″ thickness=\u00bb1″ up=\u00bb15″ down=\u00bb15″][vc_column_text css=\u00bb\u00bb]Entrevista a Laura Obradors, soprano a l’\u00f2pera \u00abIl secreto di Susanna\u00bb a la CavaUrp\u00ed<\/strong><\/a><\/b><\/p>\n

Diari de Sabadell<\/p>\n

01\/02\/2025[\/vc_column_text][vc_separator type=\u00bbnormal\u00bb color=\u00bb#CB9173″ thickness=\u00bb1″ up=\u00bb15″ down=\u00bb15″][vc_column_text css=\u00bb\u00bb]Budden, J. (2020). Puccini. Su vida y sus obras<\/em>.\u00a0<\/strong><\/a><\/p>\n

UCML<\/p>\n

Enero de 2025[\/vc_column_text][vc_separator type=\u00bbnormal\u00bb color=\u00bb#CB9173″ thickness=\u00bb1″ up=\u00bb15″ down=\u00bb15″][vc_column_text css=\u00bb\u00bb]Wilson, A. (2024). El problema Puccini. \u00d3pera, nacionalismo y modernidad<\/em>.<\/strong><\/a><\/p>\n

UCML<\/p>\n

Enero de 2025[\/vc_column_text][\/vc_column_inner][vc_column_inner width=\u00bb1\/3″][vc_separator type=\u00bbnormal\u00bb color=\u00bb#CB9173″ thickness=\u00bb1″ up=\u00bb15″ down=\u00bb15″][vc_column_text css=\u00bb\u00bb]Otra referencia mundial sobre Boccherini<\/strong><\/a><\/p>\n

Ritmo<\/p>\n

Enero de 2025[\/vc_column_text][vc_separator type=\u00bbnormal\u00bb color=\u00bb#CB9173″ thickness=\u00bb1″ up=\u00bb15″ down=\u00bb15″][vc_column_text css=\u00bb\u00bb]Escrits personals d’Alb\u00e9niz<\/strong><\/a><\/p>\n

Revista Musical Catalana<\/p>\n

Enero de 2025[\/vc_column_text][vc_separator type=\u00bbnormal\u00bb color=\u00bb#CB9173″ thickness=\u00bb1″ up=\u00bb15″ down=\u00bb15″][vc_column_text css=\u00bb\u00bb]Les can\u00e7ons de Samper<\/strong><\/a><\/p>\n

Revista Musical Catalana<\/p>\n

Enero de 2025[\/vc_column_text][vc_separator type=\u00bbnormal\u00bb color=\u00bb#CB9173″ thickness=\u00bb1″ up=\u00bb15″ down=\u00bb15″][vc_column_text css=\u00bb\u00bb]L’obra de Miserachs i de Francesc Civil<\/strong><\/a><\/p>\n

Retrivium<\/p>\n

Enero de 2025[\/vc_column_text][vc_separator type=\u00bbnormal\u00bb color=\u00bb#CB9173″ thickness=\u00bb1″ up=\u00bb15″ down=\u00bb15″][vc_column_text css=\u00bb\u00bb]Josep Maideu seg\u00fan Joan Cusc\u00f3<\/strong><\/a><\/p>\n

Quimera<\/p>\n

Enero de 2025[\/vc_column_text][vc_separator type=\u00bbnormal\u00bb color=\u00bb#CB9173″ thickness=\u00bb1″ up=\u00bb15″ down=\u00bb15″][vc_column_text css=\u00bb\u00bb]Escuchar y comprender. El lenguaje de la m\u00fasica y su significado<\/strong><\/a><\/p>\n

El Viejo Topo<\/p>\n

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[vc_row css_animation=\u00bb\u00bb row_type=\u00bbrow\u00bb use_row_as_full_screen_section=\u00bbno\u00bb type=\u00bbgrid\u00bb angled_section=\u00bbno\u00bb text_align=\u00bbleft\u00bb background_image_as_pattern=\u00bbwithout_pattern\u00bb z_index=\u00bb\u00bb padding_top=\u00bb15″ padding_bottom=\u00bb50″][vc_column][vc_column_text css=\u00bb\u00bb]Inicio \/\/ Publicaciones[\/vc_column_text][\/vc_column][\/vc_row][vc_row css_animation=\u00bb\u00bb row_type=\u00bbrow\u00bb use_row_as_full_screen_section=\u00bbno\u00bb type=\u00bbgrid\u00bb angled_section=\u00bbno\u00bb text_align=\u00bbleft\u00bb background_image_as_pattern=\u00bbwithout_pattern\u00bb z_index=\u00bb\u00bb padding_top=\u00bb0″ padding_bottom=\u00bb75″][vc_column width=\u00bb1\/3″][vc_single_image image=\u00bb16397″ img_size=\u00bbfull\u00bb css=\u00bb\u00bb qode_css_animation=\u00bb\u00bb][vc_empty_space height=\u00bb50″][\/vc_column][vc_column width=\u00bb2\/3″][vc_column_text css=\u00bb\u00bb] Publicaciones [\/vc_column_text][vc_separator type=\u00bbsmall\u00bb position=\u00bbleft\u00bb color=\u00bb#CB9173″ thickness=\u00bb2″ width=\u00bb100″ up=\u00bb5″ down=\u00bb10″][vc_column_text css=\u00bb.vc_custom_1751007585029{padding-right: 20% !important;}\u00bb] Cada… >> CONTINUAR Publicaciones<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"full_width.php","meta":{"footnotes":""},"class_list":["post-16882","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.albertferrerflamarich.com\/es\/wp-json\/wp\/v2\/pages\/16882","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.albertferrerflamarich.com\/es\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.albertferrerflamarich.com\/es\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.albertferrerflamarich.com\/es\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.albertferrerflamarich.com\/es\/wp-json\/wp\/v2\/comments?post=16882"}],"version-history":[{"count":3,"href":"https:\/\/www.albertferrerflamarich.com\/es\/wp-json\/wp\/v2\/pages\/16882\/revisions"}],"predecessor-version":[{"id":17211,"href":"https:\/\/www.albertferrerflamarich.com\/es\/wp-json\/wp\/v2\/pages\/16882\/revisions\/17211"}],"wp:attachment":[{"href":"https:\/\/www.albertferrerflamarich.com\/es\/wp-json\/wp\/v2\/media?parent=16882"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}